In All That Really Happens the pursuit manifests symbolic meaning as an arbitrary necessity as the space in between form—the all-powerful liminal space—generates salient moments in quiet absence. Paper, understood as a fragile material, is reinforced through acts of mixing, sculpting, and papier-maché. I push the boundaries of the medium with a tactile materiality that relates to form, making one’s mark, and developing meaning- in a singular object. In this act, a lightness conveys weight and gravitas. The inherent qualities of the paper are shapeshifted as mysterious conveyors of meaning.